Art in a Time of X

I did some sketching on my tablet–it’s been a while. Apparently, i’m better at it than i remember. This looks way better than I remember art on the tablet looking. I’ll have to mess around some more!

The CEO of Tee Public had a great reminder for artists, so I thought I’d share it here:

“Today, you don’t need to be Pablo Picasso and you don’t need to have something poignant to say. But you are an artist. You do have a sword to wield. Can you push through anxiety and find the space to be creative? Can you find your voice and whisper to us, a joke, an idea, or a memory of some better time? “

Adam Schwartz, CEO Tee Public

Read a book, look at art, make art…get out those coloring books, the beads you were going to do something with…If you can’t get outside, you can find solace in art or escape in stories. We’ll do our best to keep you supplied!

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Knight with a Red Plume

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I just really like red plumes.

I painted this when I first got masking fluid. I’m still trying to learn how to use it. And putting riders on horses is startlingly difficult. Perhaps because I think I know what it looks like, but the eye and the brain don’t actually communicate as well as I think.

I am trying to push myself to explore composition more and think creatively.

What? Think creatively? In a painting? I know.

i did really enjoy manipulating the masking fluid and brush flicks for the flagging tail. I think there must be Arabian lines in this horse 😉

I’ve always liked Arabians–not just because they are spectacularly gorgeous, but also the legends around them, their endurance, and of course their loyalty. Marguerite Henry’s King of the Wind was also, definitely, instrumental.

Actually, I learned a lot from that book. I read it repeatedly, and the details of how Agaba treated Sham, the care he took to groom and saddle for the comfort of the horse, has definitely influenced how I treat horses. I try to always be kind and respectful when handling a horse. When you do that, they take it much better when you correct them for not being kind and respectful.

This is actually a character from my novel. If you read The River Rebellion on zarecaspian.com you’d know him, Trinh Kegan. His armor should be golden, but artistic liberty dictated bloodstone for this piece.

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Adventurers

If you don’t know what you’re looking at, this is probably a weird picture. I was commissioned to paint an adventuring party portrait for a friend–it is VERY difficult to fit 7 people in a single portrait! There is a fighter/barbarian, a wizard, a sorcerer, a druid, a ranger, a paladin and a bard. So, basically everything 😉 if you’re familiar with tabletop roleplaying games.

I made this with inktense, brushpens, watercolors, and masking fluid. Oh, paint pen and metallic pens by kuretake, also. Layer upon layer upon layer. It easily took me 8 hours.

I don’t know why wordpress isn’t letting me rotate these pictures, so, sorry you’ll have to crane your head. But you can get a feel for the layers of detail easily enough.

Also raspberry pie.

This was done in August, but it was a Christmas gift so I couldn’t say anything about it till now 😛

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Faith is a Blue Bird

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Remember that line from The Rescuers? “Faith is like a bluebird, you can’t catch it or buy it or wrap it up tight, but it’s there just the same making things turn out right.”

The Rescuers wasn’t my favorite movie mostly because I found Madam Medusa *very* scary, in a way that McLeach just wasn’t. Yet Rufus the Cat and his little bit of encouragement, as well as about a zillion other lines from the movie, are burned indelibly into my memory.

When people in my generation start losing their memories, they will probably still be able to quote movies.

I always preferred The Rescuers Down Under–I think I may have even seen it first–who knows, I was so little. I mean, Wilbur is fantastic, then of course there is the lovable Australian cast of creatures.

….oh yeah, and I painted a blue bird that I can’t look at without thinking of the Rescuers and subsequently Australia (which is so frighteningly on fire)…

The background is inktense, the bird itself is Daniel Smith watercolors, and the black tips on its wings are gouache. The eye, ever bright, is ink.

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English Labradors

Thought you might enjoy seeing this piece I did as a gift this Christmas. Schultz and Rylie were my in-laws’ English Labs. Different as night and day, both entirely and completely lovable.

Schultz has been gone for a couple years now, and Rylie for a year. It’s still odd not having them to greet us when we visit.

Schultz generally conducted himself with dignity and restraint when greeting at the door (but boy, that was a big bark if he was so inclined). Rylie was pretty much always exuberant, always loving, always underfoot.

Neither of them would have tolerated those hats for a moment.

I don’t normally work with colored pencils, but it really seemed best for capturing the buttercream coloring of the dogs–Rylie darker than Schultz.

They leave these gaping holes when they move on.

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