gouache, coasters, and summers on the porch

Paint is funny. Colors come from mostly the same selection of sources, what changes is the binder. And that binder makes SO MUCH difference. Gouache is more opaque than watercolor, but shares some of my favorite features in that you can wet and reuse after its dried. This piece, the rearing rose gray, is me trying to get a better grasp on layering and start to mess with mixing wet paint again. With my watercolors, I have gotten so absorbed in my many little trays that I forget to mix the colors while they are wet. (Can you tell the horse is free-hand with no reference picture? I can :-P). I appreciate the way white gouache behaves. Makes dapples easy.

And yes, that circle was done with a coaster.

This particular coaster set belonged to my grandparents. It’s woven wicker inside wood. It was the outdoor coaster set which we used on the screened porch. After we made our sandwiches with deli meat and filled our plates with chips (a treat!) we’d take our soda (also a treat) out to the porch and eat on the blue stained furniture while we talked and watched the birds at the feeders. They had a lot of bird feeders. Thistle, sunflower, peanut butter, suet, and of course sugar water for the humming birds. My grandfather had built an elaborate baffle (or three) to keep the squirrels off. He also had a heated birdbath for the winter and every year asked for birdseed for Christmas. We’d easily spend hours watching the local wildlife–and there was plenty–besides a bazillion song birds there were the rabbits, squirrels, doves and fox.

Every time I use one of those coasters to draw a circle–or keep a drink from leaving stains–I think of those lazy summer days. A lot of my early fiction writing was on that porch, too, thanks to the advent of laptop computers. I cherished that time. Soaked it up like a sponge, and look at the memories with gentle fondness. I try not to wish to return to the past…but I would go back there.

Someday, I want a screened porch in the shade of my own. While I have invited quite a lot of wildlife onto my deck by attempting to maintain a container garden, it’s not quite the same. My kitchen, sadly, is not arranged for me to sit and watch the bird feeder.

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Knight with a Red Plume

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I just really like red plumes.

I painted this when I first got masking fluid. I’m still trying to learn how to use it. And putting riders on horses is startlingly difficult. Perhaps because I think I know what it looks like, but the eye and the brain don’t actually communicate as well as I think.

I am trying to push myself to explore composition more and think creatively.

What? Think creatively? In a painting? I know.

i did really enjoy manipulating the masking fluid and brush flicks for the flagging tail. I think there must be Arabian lines in this horse šŸ˜‰

I’ve always liked Arabians–not just because they are spectacularly gorgeous, but also the legends around them, their endurance, and of course their loyalty. Marguerite Henry’s King of the Wind was also, definitely, instrumental.

Actually, I learned a lot from that book. I read it repeatedly, and the details of how Agaba treated Sham, the care he took to groom and saddle for the comfort of the horse, has definitely influenced how I treat horses. I try to always be kind and respectful when handling a horse. When you do that, they take it much better when you correct them for not being kind and respectful.

This is actually a character from my novel. If you read The River Rebellion on zarecaspian.com you’d know him, Trinh Kegan. His armor should be golden, but artistic liberty dictated bloodstone for this piece.

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Jade Horse Splatter

EPSON MFP image

I really need to come up with better, more poetic, names. But this way at least I know for sure which piece I’m talking about!

The Last Unicorn

I know…no horn…but this creature must be a unicorn anyway.

EPSON MFP image
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