Art in a Time of X

I did some sketching on my tablet–it’s been a while. Apparently, i’m better at it than i remember. This looks way better than I remember art on the tablet looking. I’ll have to mess around some more!

The CEO of Tee Public had a great reminder for artists, so I thought I’d share it here:

“Today, you don’t need to be Pablo Picasso and you don’t need to have something poignant to say. But you are an artist. You do have a sword to wield. Can you push through anxiety and find the space to be creative? Can you find your voice and whisper to us, a joke, an idea, or a memory of some better time? “

Adam Schwartz, CEO Tee Public

Read a book, look at art, make art…get out those coloring books, the beads you were going to do something with…If you can’t get outside, you can find solace in art or escape in stories. We’ll do our best to keep you supplied!

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tall ship tattoo design

I have been playing with coasters recently. Yes, that’s the big secret behind most of the circles you will ever see on this blog. It’s probably a coaster or a plate.

I actually own a couple compass tools, but they both live (sensibly) in my studio, and (insensibly) I’m almost never actually creating art in my studio. Sometimes I do. But often I paint at the end of the day, in the evening, sometimes while watching a show or listening to a book, and the light in my studio is not great at night. It takes a special mood.

Or it takes the mood for acrylics. Because those aren’t portable. Not nearly so portable as watercolors.

Anyway. I was messing with circles, and more graphic design-like images because it is stretching for me. I greatly admire those who can make that type of art.

I feel like this piece is really close to how I wanted it to look, but it doesn’t actually look how I wanted. Things got skrewy with the flourishes. Flourishes are hard , you guys.

This makes me think of tattoos, but I think you’d have to be quite clever about placement, given the circle and flourish–or make it smaller. I don’t think I would get it as a tattoo, though.

Maybe if I were a sailor.

For all my appreciation of tall ships, I am not a sailor. I’ve only been out on teeny tiny boats on ponds, and never on a tall ships when it was, you know, actually moving. Though exploring the ships in harbor has always been a lot of fun to me.

I haven’t put this piece on Redbubble, frankly I’m a bit daunted by the thought of the digital clean up process on it 😛 Maybe someday. But you could get an art print if you wanted one, just message me.

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galleries

At the end of August I collected the last of my pieces from the Firehouse Gallery and moved them all to–plus a lot more original pieces–to the Leesburg Town Hall. I was in such a rush I didn’t really get pictures of everything once they were on the walls–but they DO look good I think.

All the pieces are for sale, of course. I actually last minute switched out one of the works (my Blue Ridge Mountains) just so I could say that. The Blue Ridge stays with me!

I think one of the hardest things for me to do, as a artist, is put the brush down and let a piece be finished. I did that with the Blue Ridge, and it is just so pretty.

pure ultramarine

Here is the one picture I have of the arrangement in the town hall lobby:

It was also cool, then night we held an opening during First Friday Leesburg, to see so many of my products on display. Most of them owned by my very supportive mother–but some of them are mine.

I have these gorgeous painted boots you can see in the back there–not for riding anymore, if ever–perfect for a Kentucky Derby Party, or maybe a Steeple chase tailgate. I have a couple more pairs needing painting, I should probably paint them all up and then list them all at once instead of dripping them out into the world.

Also, you should know: Product pictures are a thing. There are moments when I think, “OH! I can totally do that.” and others, usually when I am holding a camera, when I realize that it is MUCH harder than it looks. Hats off to all you product picture people. Good work!

The exhibit runs to the end of Nov, you should swing by the Leesburg Town Hall if you happen through Northern VA. The downtown is incredibly cute, lots of great food and fun shops, plus, you know, this really awesome art exhibit by this artist you follow on the internet.

I’ve already started thinking about Christmas and I’ll be planning out time to paint. If you’re interested in a commission piece, they are shockingly affordable and make amazing presents. If you aren’t sure about something, just ask me.

You can hit me up here, or go straight to my Etsy shop and place an order there.

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A new thing for me: Sip and Painting

I often sip wine while I paint or draw in the evenings. But I’ve never before tried to teach anyone anything about art. Ever. Before this summer.

I like teaching. When I learn how to do something, I always end up teaching it to someone else eventually. Mostly, though, I’ve taught things like basic understanding of laws. Not things like art, which is so much more instinctive.

For me, anyway.

I’m not really sure how to teach drawing. I learned from books, and copying and tracing and drawing relentlessly. I know some words and principles that might help people draw better, or at least….help them even TRY to draw…but I don’t really know what anyone could possibly do beyond that. You learn to draw by practicing, and learning a few principles about how to draw what you actually see, not what you think you see.

With the sip and paints, a sketch is provided. So I’m mostly trying to convince people to let go of their inhibitions and let the pigments play. That’s the point of watercolors, really.

I myself painted the same rose 3x before the event (4, actually, but I only brought 3) and 2x during, different every time, to encourage people to think outside the box and let go of the pigment.

My mother in law will laugh if she reads that, because I had a hard time letting go, myself.

The blue rose was my final piece.

It was fun, I have a better idea for how I would arrange the table, how I would talk people through some of the techniques a bit better. It seemed to really help them to watch me paint, and this time I’d set myself up behind a pitcher of water and a vertical display of the color wheel–which literally no one looked at. Next time, I’ll forgo the vertical color wheel, put the pitcher somewhere else, and make sure to show people things before I unleash them to dip their brushes in pigment.

I think everyone had fun, and they definitely came up with some great combinations and turned out some very nice work. Best of all, they smiled a lot and talked about how relaxing it was. Creating art has, of course, been proven to relieve stress. One of its many benefits!

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The Dappled Purple Horse

Gorgeous Purple Dappled Original Watercolor horse

When I was a kid, I would spend hours reading my three horse encyclopedias. I bookmarked favorite breeds, and diligently soaked up any and all information I could about horses. One of my absolute favorite books, which I read and re-read, was King of the Wind, by Marguerite Henry. If you haven’t read it (or just, weren’t obsessed) it’s the story of the Godolphin Arabian, one of the three stallions credited with the emergence of the modern Thoroughbred. It’s fictionalized, of course, and fills in considerably huge gaps in known fact and smooths others for a better story: But the story goes that the Sheik of Morocco gave six stallions to the King of France, who didn’t appreciate the gift as he ought. One of these stallions found himself a cart horse, and one thing led to another and he was later shipped to England, where he wound up retired in a field belonging to the Earl of Godolphin. Being a stallion, he managed to get to one of the prize mares, Lady Roxanna, and the colt, Lath, turned out to be kind of a big deal on the race track.

Like I said, that’s not 100% in line with the known facts, but close enough! And it’s not like I cared as a kid, it was a great story, and is likely responsible for my undying affection for Arabian horses.

This was one of those pieces that just….came out…exactly how I wanted it to. I used Daniel Smith watercolors, as usual, but focused on letting go, and the color purple (you all know I’m obsessed with blue). I used some amethyst, some bloodstone, and I think some Quinacridone rose, probably French Ultramarine, too, but just a touch. Then I lined her haunches and neck with big chunks of salt and hoped for the best. I have a vague memory of being pretty sure it wouldn’t come out, but giving it a shot for science.

I’m so glad I did. I darkened her muzzle and ears with bloodstone, and did her eye with pen and paint…and here she is. Looking fresh, sweet, but spunky, just like so many Arabians do.

This little beauty is a 5×7, and available for sale below if anyone is interested–yeah, the original. I’ve got prints and other cool things (t-shirts, zipper pouches) up on Redbubble, too, of course.

Dreamy the Purple Dapple

This is a 5x7 original watercolor painting of a spectacular purple horse. Ships Free in the US. Perfect for a horse lovers bedroom, office, kitchen, tack room...basically perfect for horse lovers. Ships within 3-5 business days. First Class. International folks, message me and I'll figure out what shipping would be for you.

$50.00

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