gauche tigers

I decided to investigate gauche. I was curious what made it different from watercolor, when most people say, “Oh, it’s like watercolors” when you ask what it is.

The binder is different than watercolor, so it’s just…different…more translucent? More…luminous.

tigre!

I borrowed some of my mother in law’s gauche, and I’ve been enjoying playing with it. Though, apparently it makes me want to paint tigers because that’s all I’ve done.

Yaaaaawn

I’m enjoying how different it is…and how the same. I’ve used the gauche for a base, and then finished the tigers with my brush pens to get really stark lines for the stripes. On the second tiger I also relied on masking fluid. Well….experimented with masking fluid.

I feel like masking fluid is a really interesting tool, and I’m enjoying messing around with it.

Oh, did you notice? I’m still trying to make a tiger half as awesome as my glamour leopard. I’m getting closer. Actually, both of these tigers came out pretty awesome, but are a different medium than the leopard so they still don’t go. I just forget about colored pencils. they still exist. I own them, even.

So how is everyone? September flashed past me at top speed. I cannoooooot believe October is this week.

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Finley – dog portrait

I so enjoyed putting together this portrait. Finley is such an expressive doggo. He had a whole instagram for me to work off! He’s quirky and *bursting* with personality. He’s got a great smile, too.

He sometimes cosplays as Sirius Black, so I put the constellation of Canis Major, and the bright star Sirius, behind him. Orion is there, too, because the hunter loves his dog, and I worked in the hare so he’d have something to chase.

I might possibly have really enjoyed astronomy as a kid. Mostly the names of the stars and the myths they were named after. I can’t find hardly anything in the night sky. I’m sure it helps that I’ve never lived someplace with a really properly dark sky.

We went to a dark sky park one time, but there was too much cloud cover and moonlight to see stars.

Someday.

A new thing for me: Sip and Painting

I often sip wine while I paint or draw in the evenings. But I’ve never before tried to teach anyone anything about art. Ever. Before this summer.

I like teaching. When I learn how to do something, I always end up teaching it to someone else eventually. Mostly, though, I’ve taught things like basic understanding of laws. Not things like art, which is so much more instinctive.

For me, anyway.

I’m not really sure how to teach drawing. I learned from books, and copying and tracing and drawing relentlessly. I know some words and principles that might help people draw better, or at least….help them even TRY to draw…but I don’t really know what anyone could possibly do beyond that. You learn to draw by practicing, and learning a few principles about how to draw what you actually see, not what you think you see.

With the sip and paints, a sketch is provided. So I’m mostly trying to convince people to let go of their inhibitions and let the pigments play. That’s the point of watercolors, really.

I myself painted the same rose 3x before the event (4, actually, but I only brought 3) and 2x during, different every time, to encourage people to think outside the box and let go of the pigment.

My mother in law will laugh if she reads that, because I had a hard time letting go, myself.

The blue rose was my final piece.

It was fun, I have a better idea for how I would arrange the table, how I would talk people through some of the techniques a bit better. It seemed to really help them to watch me paint, and this time I’d set myself up behind a pitcher of water and a vertical display of the color wheel–which literally no one looked at. Next time, I’ll forgo the vertical color wheel, put the pitcher somewhere else, and make sure to show people things before I unleash them to dip their brushes in pigment.

I think everyone had fun, and they definitely came up with some great combinations and turned out some very nice work. Best of all, they smiled a lot and talked about how relaxing it was. Creating art has, of course, been proven to relieve stress. One of its many benefits!

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Space. Sci Fi. And Covers.

I’m *always* diddling around cover ideas for my epic fantasy projects. Always. But, for the first time ever, I designed a cover for someone else. I’m pretty thrilled about it, actually. A college buddy started publishing these awesome sci fi short stories on Kindle, Stories of the Human Ship, and I got the opportunity to make a cover for story 3 which comes out this month!

Are you ready? Here’s the book blurb:

When most of Earth was destroyed in a nuclear war, the alien races arrived to auction off what was left. Now, a band of escaped humans in a stolen alien ship struggle to survive in an unfriendly galaxy. The stars are within reach, but there are no safe harbors.

If you like sci fi, or just good stories, you should go check them out. Story one is The Human Ship. They are free, too, which is pretty crazy.

This story is going places, be in the know early and help it spread!

New short story available on Kindle from Jordan Estrada!

The Dappled Purple Horse

Gorgeous Purple Dappled Original Watercolor horse

When I was a kid, I would spend hours reading my three horse encyclopedias. I bookmarked favorite breeds, and diligently soaked up any and all information I could about horses. One of my absolute favorite books, which I read and re-read, was King of the Wind, by Marguerite Henry. If you haven’t read it (or just, weren’t obsessed) it’s the story of the Godolphin Arabian, one of the three stallions credited with the emergence of the modern Thoroughbred. It’s fictionalized, of course, and fills in considerably huge gaps in known fact and smooths others for a better story: But the story goes that the Sheik of Morocco gave six stallions to the King of France, who didn’t appreciate the gift as he ought. One of these stallions found himself a cart horse, and one thing led to another and he was later shipped to England, where he wound up retired in a field belonging to the Earl of Godolphin. Being a stallion, he managed to get to one of the prize mares, Lady Roxanna, and the colt, Lath, turned out to be kind of a big deal on the race track.

Like I said, that’s not 100% in line with the known facts, but close enough! And it’s not like I cared as a kid, it was a great story, and is likely responsible for my undying affection for Arabian horses.

This was one of those pieces that just….came out…exactly how I wanted it to. I used Daniel Smith watercolors, as usual, but focused on letting go, and the color purple (you all know I’m obsessed with blue). I used some amethyst, some bloodstone, and I think some Quinacridone rose, probably French Ultramarine, too, but just a touch. Then I lined her haunches and neck with big chunks of salt and hoped for the best. I have a vague memory of being pretty sure it wouldn’t come out, but giving it a shot for science.

I’m so glad I did. I darkened her muzzle and ears with bloodstone, and did her eye with pen and paint…and here she is. Looking fresh, sweet, but spunky, just like so many Arabians do.

This little beauty is a 5×7, and available for sale below if anyone is interested–yeah, the original. I’ve got prints and other cool things (t-shirts, zipper pouches) up on Redbubble, too, of course.

Dreamy the Purple Dapple

This is a 5x7 original watercolor painting of a spectacular purple horse. Ships Free in the US. Perfect for a horse lovers bedroom, office, kitchen, tack room...basically perfect for horse lovers. Ships within 3-5 business days. First Class. International folks, message me and I'll figure out what shipping would be for you.

$50.00

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